A well-to-do inventor believes he can accomplish anything, even turning around the life of a destitute young lady. She flees after they take a flight that defies human limitation. After his betrayal, he seeks out the mystical powers of The Violinist, restoring life, but not without cost. Together, their worlds crumble.

A look at how Dial M for Murder (1954) was produced for 3-D viewing.

A revealing and often ribald look at the seaside resort where people can let their hair down, whether in the sedate atmosphere of the Tower Ballroom or on the world's biggest and fastest rollercoaster. Actor David Thewlis returns to his home town, a place where beer is drunk and dreams are played out against the backdrop of a thoroughly British fantasy.

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

The day before Soo-min’s big concert day, her college friends Won-ho, Sun-ki, Hong, and Jin-sook gather to celebrate Soo-min. Talking about their old memories and having fun seems like a happy moment of old friends. But soon when Soo-min leaves to the bathroom, Jin-sook starts a disturbing story about Soo-min that she has been sexually abused by her dad and brother after her mom’s death. As all friends are shocked, one by one starts to talk about Soo-min’s whole secrets as if they know everything about her without knowing Soo-min is overhearing their conversation. It drives Soo-min to the irrevocable revenge with secrets behind.

Sam Born, an ambitious immigrant confectioner, unknowingly finds himself in the crosshairs of a ruthless turf war over the candy business in mid-century America.

It is the 1930s and Professor Roh, a world-renowned archaeologist from Germany comes to a deserted beach in the South Chungchong Province. Old and ill, he has returned to his hometown. His once grand estate is now in ruins. The memories of his childhood, mother and father, Young-ae, his love, are his only escape from his old and shabby present. The beautiful sorceress of the village hands out despair and the rag-like lepers appear to be his reflections. A portrait of life's fragility and longing is painted through the contrast between the past and the present, life and death, beauty and ugliness.

Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius.Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.

A failed Brooklyn writer, Nathan Fisher, visits his ailing parents in Florida. His mother has Alzheimer's and his father has recently had a stroke and his girlfriend has recently broken up with him.

Alyssa (Lana Boy) follows her artistic aspirations to Los Angeles, leaving behind her husband Luka (Emmanuel Berthelot), who promises to join her later. The pandemic-induced lockdowns force them apart, straining their relationship until the couple decides it’s best to separate. Upon returning to Paris to finalize her divorce, Alyssa finds herself engulfed in her past life with Luka and old friends, all of which have moved on. She starts to question whether she was selfish to leave her past life behind in pursuit of career goals. Should she have been happy with the “little life” she left behind? Could she have been?